Showing posts with label honorary sidekick. Show all posts
Showing posts with label honorary sidekick. Show all posts

Thursday, 28 January 2010

Honorary Sidekick: Kanoe



Film: X (or X/1999) (English title)
Ekkusu (Japanese title)

Voices: Atsuko Takahata (Japanese) (Feature film)
Denica Fairman (English) (Feature film)
Kaho Kouda (Japanese) (TV series)
Mary Elizabeth McGlynn (English) (TV series)

The Character

Kanoe is Princess Hinoto’s younger sister (and her only blood relative), although I find it slightly bizarre that Hinoto is referred to as a Princess whilst Kanoe is now. These two sisters could not be any different from each other, in looks and in personality.

While Hinoto supports the Dragons of Heaven, Kanoe supports the Dragons of Earth, although her motive for doing so changes in each format of “X”. In the film and manga, her motivations seem to be out of love for Hinoto, wishing to free from her “prison” as a dreamseer. This truth is more prominent in the film for this confession is said by Kanoe as she lays wounded before dying in Hinoto’s arms. In the film, despite them being on opposite sides, there seems to be no bitterness between them. The TV series shows a far different side to Kanoe: she admits to despising Hinoto whow as always treated better than her for having strong dreamseer powers (whilst Kanoe is also a dreamseer, her powers are limited). Throughout the TV series, Hinoto is tortured by the fact that she has dreamt that the Dragons of the Earth and the “Earth” Kamui will destroy the Dragons of Heaven and the “Heaven” Kamui, bringing the end to humanity. As Hinoto’s predictions have always been correct, Hinoto knows she cannot change it and this sadness tortures her. Kanoe has seen Hinoto’s dreams and plans to make it a reality by bringing the Dragons of Earth together and helping them in order to make her big sister suffer.

Her ability is to enter and leave dreams like Hinoto and Kakyõ but she cannot dream about the future. However, in the film, Kanoe is a complete dreamseer, an equal to her sister Hinoto in powers and abilities.

She works as a secretary in the Tokyo Metropolitan Government Building although this is not revealed in the film.

Whilst Kanoe looks like a china doll, to be honest, Kanoe looks and is more promiscuous. In the film, she is dressed in a long robe that shows off her well-endowed chest. She wears stockings that reach up to her thighs. In the TV series, her outfit is toned to that of a business suit.

Her behaviour reflects this as well. In the TV series and manga, she is in a sexual relationship with Yūto but she also flirts with Satsuki and Fūma. It is noticeable that even though she is in a sexual relationship with Yūto, she senses in the TV series that he is going to be late for her tea gathering and shows no emotion when Yūto dies. She is slightly more emotional when Satsuki dies.

It is her sexual manner that could be responsible for Fūma to be with the Dragons of Earth in the film. In the TV series, Fūma has no contact with Kanoe until he becomes the other Kamui. In the film, she attempts to seduce Fūma into her way of thinking.

Her fate differs in each format as well. In the manga and film, she dies but in the TV series, she lives. Her death varies in each format. In the film, she is killed by Fūma just before the Final Battle. As he lies dying in Hinoto’s arms, she explains her reasons for bringing the Dragons of the Earth together.

Her death is very different in the manga (Volume 19 Chapter 3 pages 13-17). She enters Hinoto's dreams when she hears Hinoto crying for help (by this point, Dark Hinoto has taken over). Unfortunately, Kanoe discovers that her older sister is trapped in the dreamscape and becomes confused when Hinoto's dark side appears and directly confronts her. Soon afterwards, Kamui senses Kanoe's death. However, it has become a debate on who actually killed her; whether it was Hinoto, Dark Hinoto or even Fuma for he is seen holding up her body (Page 17)

She survives in the TV series and we can imply that she survives the Final Battle between Kamui and Fuma because her last appearance in the series is in “Betrayal” (episode 22). It is here we find out her motives and her hatred for her sister. However, when Hinoto commits suicide, Kanoe cries for her sister and this is the last we see of her.

This final scene is open to interpretation. On first glance, Kanoe looks as if she is grieving for her sister and that maybe, deep down, she did love Hinoto, despite their sibling rivalry. However, Kanoe’s goal throughout the series is to do whatever she could to make her sister suffer and she has never once shown a hint of remorse or sympathy towards her older sister. Now that Hinoto is dead and is no longer in pain, Kanoe cannot see Hinoto’s reaction to the Dragons of Earth winning so in that way, Kanoe has failed and her work has been in vain. Her role is finished for she is one of the few main characters where we do not know her destiny or fate after the Final Battle.

The voices behind the character

In the film, I love Takahata’s Kanoe; she is so dark and seductive and I love her chuckle when she has captured Kotori. She is less wooden than her English counterpart, Denica Fairman.

As with most fans, I think for the most part, the English dub for the feature film is awful....not the worst but awful. Most of the voices sound wooden but I personally feel as with the Japanese dub that Fairman was the only one to come close to perfection. She captures the dark seductive tone of Kaneoe perfectly, almost to the standard of Takahata.

When it comes to the TV series, whilst Kouda is almost the same as Takahata, Kouda does not have the seductive voice as Takahata has and her assertiveness/bitterness is more at the surface, especially when it comes to Kanoe’s confrontations with Hinoto.

They could not have chosen someone so different from Fairman. Whilst McGlynn has the darkness and bitterness is her tone and she is less wooden than Fairman, the seductive tone is completely lost, except for a few scenes. Seriously, even though I am supposed to prefer McGlynn, when it comes to the English, I think Fairman is more perfect as Kanoe.

Saturday, 21 November 2009

Honorary Sidekick: Princess Hinoto



Film: X (or X/1999) (English title)
Ekkusu (Japanese title)


Voices: Yuko Minaguchi (Japanese) (Feature film)
Stacey Jefferson (English) (Feature film)
Aya Hisakawa (Japanese) (TV series)
Bridget Hoffman (English) (TV series)


* I know I have mentioned this many times in this article but I want to make my point clear: the manga is INCOMPLETE. It was put on hold due to a dispute and finishes at Volume 19 Chapter 5.

* I know I mentioned Hinoto in the manga and I would love to put up pages from the manga to prove my point. However, Clamp have stated that fans do not upload or post images from the manga. I will respect their wishes but when I mention specific points, I will type in the volume number, chapter number and page number. There are many pages where you view/download the manga for free. Just go onto Google have have fun!

The Character

The thing that first struck me when I first saw "X" (the film...I did not see the TV series for the first time until about 7 months later) was that Princess Hinoto reminded me of a china doll. After seeing the film and TV series, I still feel the same. She is a dreamseer who is employed by the Japanese government whose dreams have never failed to come true which makes her a perfect asset to running the government.

She has long white hair and red eyes. She is blind, deaf, mute and crippled; the only way she can communicate with anyone is telepathically. She is assisted constantly by two female servants (Sōhi and Hien) as well as Seiichirō Aoki's nephew, Daisuke Saiki who is besotted by her.

Her powers as a dreamseers are her biggest strength in the battle between the Dragons of Heaven and Earth as well as the advent of Kamui. However, it is also her biggest weakness and although all her dreams have always come true, some of her dreams can be vague and open to interpretation. For example, she cannot determine whether the true Kamui will become a Dragon of Heaven or a Dragon of the Earth.

In the film, there is little to know of her except she has a younger sister, Kanoe. Also, she assists the Dragons of Heaven in any way she can, even teleporting Kamui away from near death by Fuma. She later holds her drying sister in her arms and then teleports Kamui to the final battle ground before she dies.

In the manga and anime, she is far more complex for several reasons. Because of the fact that her dreams have never been wrong, she conceals several facts from the Dragons of Heaven. This is not out of spite but purely to protect them. The first of these is revealed after Kotori is killed by Fuma. Hinoto reveals that she knew that the Kamui of Earth would kill Kotori, regardless whether Kamui (Kotori's love interest) or Fuma (Kotori's brother) would do the deed. Hinoto found that revealing this beforehand not only would have not affected Kotori's death but that it would have been too painful for Kamu to take. She only conceals the fact that she has foreseen that the Dragons of Heaven will lose the final battle.

In the anime, episode 22 ("Betrayal") could be seen as Hinoto's crowning moment. At the start, we see Hinoto crying over what has happened and what is going to happen. She is tortured by the fact that her dreams are coming true and it does not help that she is tormented by her sister, Kanoe who is helping the Dragons of Earth purely to spite and torture Hinoto. This episode is important for we also see a side to Hinoto not mentioned in the film but appears in both the anime and manga: Dark Hinoto.

Dark Hinoto is literally her dark half, mostly played in Hinoto's own consciousness. In the episode, "Betrayal", it is revealed that it is Hinoto who is behind several attacks on Kamui by using charms called shikigami (most of them happening within the first half of the series, with the last intervention being in episode 20 ("Ripple") when she stopped Kamui and Sorata from helping Arashi and Yuzuriha from Fuma by telling them that the Dragons of Earth will appear in two different places. However, after a spell sheet is left behind, Kamui is able to figure out that there are two sides to Hinoto: one that is fragile, like air or water but the other, a sense that comes from the spell sheets, is dark, passionate and evil. In the manga, Kamui suspects her of foul play and relays this to Sorata who, in turn, confronts Hinoto (Volume 19 ,chapter 5, pages 12-14). There is no outcome to this confrontation as it is at the end of that chapter that the manga comes to a halt.

In the manga, Dark Hinoto uses shikigami more often in particular to prevent the Dragons of Heaven from aiding each other but she has also committed acts not mentioned in the anime or film. Byt he end, she has taken Lady Arashi into her dreams, stating that when Arashi woke up, she will become a Dragon of Earth. (Volume 19 ,chapter 5, pages 6-8). When Kanoe steps into Hinoto's dream, she is killed (Volume 19 Chapter 3 pages 13-17). However, it has become a debate on who actually killed her; whether it was Hinoto, Dark Hinoto or even Fuma for he is seen holding up her body (Page 17)

While her evil persona is controlling Hinoto's body, the good persona is trapped in the dreamscape. This is true in both the manga and anime. However, there is closure for Hinoto in both the film and anime. In the film, she dies when a building crashes on her. She is the penultimate person to die. In the anime, her good side is trapped in the dreamscape and kills herself. thus taking her own life in the waking world as well so as to end her possession and save Kamui. With her death, the protection around the Sacred Sword becomes nothing and this leads onto the Final Battle played out in the last two episodes of the series. .

In the manga, her dark side has taken over and her last scene is when she is confronted by Sorata about her actions, claiming she is not the Princess and demanding to know where Arashi is. Of course, as the manga was put on hold due to a dispute with the publishers, we fans can only hope what happened next and pray that the manga will be complete.

The voices behind the character

In the feature film, Yuko Minaguchi brings a softness to Hinoto and brings out a gentle vulnerability in her. There seems to be genuine sadness in her voice towards the end of the film as I personally feel they should be.

Stacey Jefferson, on the other hand is deeper and louder. She sounds more authoritative and assertive in her voice. Towards the end, with some phrases, she sounds robotic and slightly unconvincing in comparison to the better performance of Minaguchi

In terms of the Japanese voices that have portrayed Hinoto, Hisakawa is overall better but then again, the film does not show many sides to Hinoto. In the film, she is more straightforward whilst in the anime, she is complex which meant a diversity of ways to do the voice. She sounds more fragile compared to Minaguchi.

Bridget Hoffman is calmer than Hisakawa overall and is definitely less authoritative than Stacey Jefferson achieved. She definitely sounds more fragile and is more natural in how she says the lines. When it comes to the revelation about Kotori's destiny to die, she shows more sadness than Hisakawa but the Japanese TV Hinoto is more genuine with her words.

For both Hoffman and Hisakawa, their strength seem to be when they portray Dark Hinoto. Hisakawa brings out a beautiful contrast between the good and bad Hinoto. It is really hard to tell that both are voiced by the same actress unless one really listens. She is dark, yet soft, almost as seductive as Kanoe in the film. And of course, who can forget the beautiful OTT performance of Dark Hinoto's last performance? The laugh....the OTT speech....need I say more? :-)

Whilst there is a difference in both characters when it comes to Hoffman, it is not as great as the Japanese version. Hoffman tries to be more Kanoe-like, laying on the seductive voice very thick. Hisakawa also does this as well but it is done without gaining any resemblance to that of Kanoe. The final moments of Dark Hinoto seem to be more OOT than that of the Japanese version but bizarrely, it works.

Thursday, 22 October 2009

Honorary Sidekick: Dragons of Earth/Dragons of Heaven


Film/TV: X (aka X/1999) (English title)
Ekkusu (Japanese title)


Dragons of the Heavens

Kamui Shirō
Sorata Arisugawa
Arashi Kishū
Subaru Sumeragi
Seiichirō Aoki
Karen Kasumi
Yuzuriha Nekoi
Princess Hinoto


Dragons of the Earth

Fūma Monou
Yūto Kigai
Satsuki Yatōji
Seishirō Sakurazuka
Nataku
Kakyō Kuzuki
Kusanagi Shiyū
Kanoe


When writing this entry, there were different ways I could have written it. I thought I could do one whole entry involving every character. However, after reading about the TV series, I found this to be impossible as the TV series characters are far more detailed than they are made out in the film (which is what I watched first and how I got into "X" in the first place. In the end, now after watching the TV series, each character in accordance with the Dragons of Heaven/Earth will be given their own separate entry. This entry is purely to describe each faction in terms of their beliefs, their complexities and their accordance in life and relationships. This entry deals with the characters as a whole and will not be comparing the voices behind the characters.

Also, I know that technically, Kamui and Fuma are mainly hero and villain respectively and therefore should not be in the sidekick section. I also know Princess Hinoto and Kanoe are not Dragoens but rather seen as helpers. However, they played a key part in the factions and as they both have chosen a side, I believe they should be mentioned.

The Characters

The main belief behind each faction is every simple. The Dragons of Heaven and the Dragons of Earth are two groups consisting of seven individuals each that are fated to stand against each other on the Promised Day to determine the fate of the world and humanity. The Dragons of the Earth (that's the group in blue in the picture above) represent the belief that humanity must be destroyed so that the nature of the Earth can be reborn. The Dragons of the Heaven (that's the group in red) believe that humanity should be saved because that humans are no less precious than the Earth and that humans can learn to protect the Earth itself. The fate of the Earth and humanity rests on this: if the Dragons of the Earth win the final battle, humanity is destroyed and the Earth can go through what the characters call a "revolution". If the Dragons of the Heavens win, everything stays exactly the way it was before the final battle begins. Nothing changes.

Sounds simple and straightforward, right? If this was a typical American film/TV series, the Earth Dragons would be written in such a way that you would easily root for the Heaven Dragons because they are the ones wanting to protecting humanity. But this is anime which is known for its complexities. The characters of the Earth Dragons are written in such a way that, despite their basic overall amoral characteristics, they are also intelligent. They bring up excellent points and question the rationality of the Heaven Dragons. So even though they are destroying humanity, in a way, you find yourself believing them and (secretly) rooting for them. That's good writing!

I have been trying to find an American Western format to compare this line of thinking too and I have thought of one: Air Force One. This film depicts the President (Harrison Ford) is on a journey home from Moscow when Russian hijackers reveal themselves and take over the entire plane. They want the President to ring Moscow and release an imprisoned General. The problem is that if the General is released, it could lead to slaughter in Russia. In this film, we are meant to root for the President to gain control of the plane and rescue his family. However, the head terrorist (Gary Oldman) brings home some very good points and the film brings forward the message that a killer in someone's eyes can be a hero in another's eyes and that who we are meant to be perceived as a hero could be a villain in another's eyes.

The same can be said for the Dragons. Neither side is completely right or wrong. The Heaven Dragons believe that humans can be seen the error of their ways when it comes to preserving the Earth and maybe the Earth Dragons could have had this view too if they were not cynical and doubtful about this fact. If they were not so biased, then it could be said that both factions could in fact work together.

Neither side are hypocrites. They are following their destiny and they say what they believe. The Earth Dragons believe that the Earth can only survive if humanity was gone; it is not that they are doing it for power. In fact, at several points, an Earth Dragon mentions that the Earth is screaming in pain. On the other hand, the Heaven Dragons are being selfless and will die for the ones they love. It is possibly for this reason that that the Heaven Dragons of Heaven can create kekkai (barrier fields), an ability the Earth Dragons lack. This barrier fields are meant to preserve the battle field by placing the surroundings in another plane of reality and the effects will only show in the real world if the creator of the kekkai dies during the battle. Because the Earth Dragons wants all the buildings that human create will be gone if they win the war anyway, it doesn't matter to them what ir who is destroyed during a battle as it all helps for the Earth's revolution.

What makes the Earth Dragons different from the Heaven Dragons is the manner that they go about it. They tend to start the fights they are in whilst the Heaven Dragons are in defence.

On the whole, unlike the Heaven Dragons, the Earth Dragons seem to have no common rationality for their acceptance of their roles as the destroyers of humanity. One in particular openly admits that he is not too thrilled with the fact that he is an Earth Dragon.

The Heaven Dragons are more in tune with their emotions. They show a strong bond for each other and if another Heaven Dragon is in trouble, chances are another will come to their aid, even die to protect the Heaven Dragon in trouble. The relationship factor with the Heaven Dragons is stronger for at most times during the series (manga, film and TV), the Heaven Dragons tend to be in pairs at least. With the Earth Dragons, they tend to work alone although at some points, they are seen in pairs in communication. In fact, whilst the Heaven Dragons are seen as one unit at several times, the Earth Dragons are only seen only together in the entire manga (in the film, that is not the case and in the TV series, they are seen together only once in episode 14: "The Gathering"). The Earth Dragons are encouraged by Fūma to simply go their own ways.

Also, the Earth Dragons tend to be more avoidant when it comes to socialisation and they either lack the ability or desire to form meaningful bonds with other humans, or tend to form unhealthy relationships amongst each other.

I know what you're thinking, "That's it! That proves that the Earth Dragons are villains!". No! This view on them is a general outlook. The concept and actions behind the Dragons are not as black and white as that. I'll tell you why:

  • There are at least two romantic relationships between both Dragons. One Heaven Dragon falls in love with an Earth Dragon who in turns risks his/her life to protect them. The other is far more complex and when one of the Dragon halls to kill their love, it sends them into catatonia.
  • There is switching an betrayal on both sides. At least one Heaven Dragon joins the Earth Dragons. One Earth Dragon (who can be considered to be the least violent) actually helps the Heaven Dragons through dreams. One Earth Dragon will risk his life to protect a Heaven Dragon.
  • One Earth Dragon is "civil" to the Heaven Dragons when not in battle. In fact, in battle, if something intervenes with the fighting, he will be happy to call the battle a "draw" although this could be more for his own safety. In fact, in one episode, he interacts with one Heaven Dragon, even praising their powers, although whether this is patronising or not is another matter.
  • One Heaven Dragon has more interaction with the Earth Dragons than any other. He actually agrees with them on points when it comes to their beliefs.
  • One Earth Dragon actually wants to believe in humanity.

(Sorry but I'm not naming anyone. I don't want to spoil it completely for you lol)

Both Dragon factions are surperb characters and sidekicks. They are what make "X" so powerful and something every true anime fan should watch (although I would advise any new "X" fan not to watch the film first).

Wednesday, 23 September 2009

Honorary Sidekicks: Chiro and Toto

Film: Little Norse Prince (English)
Taiyō no Ōji: Horusu no Daibōken (Japanese)
*English titles vary on the edition


Voices: Noriko Ohara (Japanese) (Chiro)
Hisashi Yokomori (Japanese) (Toto)


Some sources say that Chiro is a female and some say the character is a male. I'm not too sure because even though Chiro was voiced by a female, the character could be male for in some anime, some male characters are voiced by women. However, for the purpose of this entry, as Toto can be confirmed as a male, I will address Chiro as a female.

The Character

I knew that as soon as I wrote about Hilda the other day that my next Sidekick entry would be about her sidekicks, Chiro and Toto. The interesting thing about sidekicks of the hero/heroine is that they may not always get on but they have the same goal and purpose and in the end, they will come together and help the hero/heroine. Chiro and Toto could not be any different from each other and unlike most sidekicks, they want Hilda to take down a different path.

The irony is that if this essay is correct, Toei Doga (aka Toei Animation) wanted the latest in a long line of family-friendly animated cartoons influenced, of course by the growing Disney animation trend and insisted that several cartoon characters were put in the film to appeal to the younger audience. Isao Takahata and his team possibly didn't want that so to be sneaky, they brought in what Toei Animation wanted: cutesy characters. Of course, it is obvious that the studio didn't ask for specifics because they made Chiro and Toto (especially Toto) much more than what is expected if you're trying to create a Disney-style animation.

I originally thought I could analyse Chiro and Toto separately but since then, I have realised that is not possible. When it comes down to it, they cannot exist as separate entities. They seem to have only goal in the film: to influence Hilda any way possible into following their way of thinking. When I see these two, I immediately think of the old cliched angel/demon on shoulder idea used in cartoons. This has been used on Pluto, Homer Simpson, Peter Griffin (from Family Guy) and even as recent as Kronk from The Emperor's New Groove). The angel/demon idea seems to pop up in cartoon when the character in question suffers a moral dilemma.


In the case of Hilda, Chiro is her angel. This cute little squirrel could not be any sweeter. She is very timid and represents everything that is good about Hilda. With Hilda going at a crossroad and having a huge conflict, you could say that Hilda's good side is manifested in Chiro and this is possibly what Hilda would be like if she destroyed Toto. However, I find it ironic that since Chiro wants Hilda to do what is right, she does not find her voice to others, such as Hols. In this sense, it can be said that Chiro has no personality except when conversing with Hilda. In fact, she doesn't talk to anyone except Hilda.

Also, I find it interesting that in the main conflict with Hols and Hilda, Toto runs his mouth telling Hols who Hilda is and attacking Hols when Hols tries to persuade Hilda to turn to good. Chiro doesn't say anything. We don't even see her until the deed is done and then she shows off her emotions. The thing is before the deed, it could be said that Hilda has become succumbed (if only temporarily) by her dark side and Chiro was temporarily banished from Hilda psychologically. In my opinion, Chiro reappears again moments later because Hilda feels sad, remorseful and guilty which could reflect the good side of Hilda.


On the other hand, Toto is Hilda's devil. He is arrogant, assertive menacing and a bully. Whenever someone tries to go against Hilda's evil side and try to bring her to the light (ie Chiro and Hols), Toto attacks him. In terms of Hols, he attacks the boy whilst in flight and with Chiro, he chases her and torments her (although what really happens is never shown on-screen).


Toto's involvement in the film is actually slightly more complex than Chiro. When it comes to Chiro, she is only seen when Hilda has a conflict. Toto has more lines and more screen time than Chiro. During an attack before Hols flees, Toto attacks Coro the bear to which Coro fight backs which indicates that they see each other. When Hilda is singing to the villagers, Toto stands next to Drago and makes a menacing line. Whether Drago hears this or not is questionable.

This is further questioned in two more scenes. Toto has a conversation with Grunwald in the underworld where we the viewer finds out that Hilda is Grunwald's sister. This means that Grunwald can see him but then this could be due to his magical abilities and demonic personality. The only other person that Toto addresses directly to is Hols. However, he is by Hilda's side at the time so maybe if he is around either Grunwald or Hilda, Chiro and Toto could become fully manifested in front of humans.

The same site I stated above also makes the assumption that Chiro is Hilda's Id and Toto is her Superego. In case you are not up on your psychology, then basically your brain has three levels: the Id, the Ego and the Superego. The Id is what your inner desires are. When you are born, your brain is consumed by your Id because that is all you know. Your Superego is a completely different. It strives to act in a socially appropriate manner. The Super-ego controls your sense of right and wrong and guilt. It helps you fit into society by getting you to act in socially acceptable ways. Basically, your Superego commands what you want. Your Id tells you what you want. You cannot escape your Id and the sneakiest it comes through when you're older is in your dreams.

I can believe the case the site in question argues, in particular, the argument I put forward that Hilda is not in fact a demon but a human taken in by Grunwald after her village was destroyed. I basically said that Hilda could have been given the choice to join Grunwald or die in a similar manner than Grunwald does to Hols in their first scene together. It could be said that when she chose to become his sister, Toto could have been created by Grunwald to push her and to make sure that she does do what Grunwald asks of her. Of course, that doesn't explain the origin of Chiro for she does not appear in any scenes with Grunwald. Maybe Chiro became manifested after Toto was brought in to influence Hilda to come back to the light and become human once more.

It's weird that when Toei Daga asked the team to bring in more fluffy characters, the team probably didn't expect that these two characters would become two of the best sidekicks in animation (ever!) and would enhance the pyschology of one of the best female characters in animation. All I can say is respect for Takahata!!!!!

The voices behind the characters

The actors Noriko Ohara (Chiro) and Hisashi Yokomori (Toto) were chosen perfectly. Yokomori's voice gives off the menacing, evil and dark tones that is demanded of Toto. Ohara is sweet but not sugary Disney-style sweet. She makes Chiro sound so cute and adorable that you cannot help but love the character. These two actors give the characters a lot of eprsoanlity to them, in spite of the fact that the characters are not meant to have much personality. Brilliant!!!!