Showing posts with label honorary villain. Show all posts
Showing posts with label honorary villain. Show all posts

Sunday, 7 February 2010

Honorary Princess/Villain: Nyu/Lucy



TV series: Elfen Lied (English title)
Erufen Rīto (Japanese title)

Voices: Sanae Kobayashi (Japanese dub)
Kira Vincent Davis (English dub)

There is a reason why this character is placed into two different characters. The next entry will not be a Villain but a Sidekick and this will happen if anymore joint Princess/Villain entry should appear. In the case of Prince/Villain entries, it will be written in place of a Prince entry, then there will be a Princess entry and then jump to a Sidekick entry before the process starts again.

The Character

Lucy is perhaps one of the most complex female characters in anime. Her complexity comes from the fact that despite being stereotypical of anime, she breaks stereotypes of female anime characters. In fact, it is being a stereotypical character that makes her break the rules of anime.

In the first few minutes, Lucy‘s action results in some of the most graphic openings of any anime. She is basically a Diclonius (aged around eighteen) which is a human with two cat-ear-like horns with a telekinetic ability called 'vectors'. With these vectors, she can grasp and impact things as if they are solid, but also become insubstantial and pass through objects. These can slice objects as well, which is how Diclonius kill their victims. With these vectors, she has no hesitation in killing anyone who gets in her way. She has four vectors with a limited range of two meters, which is the shortest vector range out of the three main female Diclonius in the series. Also, these vectors can also pass on the virus, particularly to male humans which can result in, if they mate with a female who in turn gives birth, that child will be a Diclonius.

Lucy is a cruel, cold-blooded killer that wouldn't even hesitate to kill anyone, not even a human child. She does, however, like animals and will not harm them. Like the typical Diclonius, Lucy hates humans and seems to lack empathy and kicks sadistically without much concern for anyone else. Despite this she cannot and does not harm Kohta.

Nyu appears early in the episode soon after she is escaped. In fact, Nyu is her split personality brought on when a bullet strikes her head and she loses conscience. Throughout most of the series, we see her change from Lucy to Nyu and then back again. In the manga, there is a third personality and is based entirely on Diclonius instincts and who takes over when there is doubt in Lucy (who is prominently more dominant than Nyu), not fully awakening until near the end of the manga. This third personality is not mentioned or brought up at all in the anime: it merely focus on Lucy and Nyu.

These two personalities and looks could not be any different. Nyu looks more like the stereotypical anime female. She has big pink wide eyes and due to the bullet to her head, she can only say “Nyu” which is what prompts Kohta and Yuuka to name her “Nyu”. She is very sweet and naïve, has a childlike personality and infantile knowledge of the world. Nyu is innocent and incapable of violent acts, a complete constrast to the normally cold and sadistic Lucy. She is loveable, always trying to make others happy. Whilst Nyu’s hair does not cover her face, exposing her features, when she becomes Lucy, her fringe covers one eye. Her eyes are not as wide and more menacing. Their voices are different as well: Nyu is more high-pitched, almost to the point of irritation whilst Lucy is darker in her tone.

When Nyu is attacked violently (or hit on the head), she regresses into Lucy; likewise, when Lucy is treated with love and kindness, or wants to hide herself from Kohta, she will uncontrollably switch back into Nyu.

It is halfway through the series when we learn about Lucy’s past that this split personality enters a new level of complexity. First of all, it is important to note that Lucy is the original Diclonius and further Diclonius started when she passed on the virus to males via her vectors. She is known as the “Queen”. Born from humans, she can reproduce in a natural way with humans.

Despite being a Diclonius, she did not hate humans when she was a child. She was bullied as a child but she was relatively shy if not a bit sullen. The start of her descent into darkness and hate comes from when the people who bullied her killed a puppy that she adored simply to see her cry. She retaliated by using her vectors to kill those who bullied her.

Later, she encountered Kohta as a child and they became friends. However, when Kohta had to cancel a meeting to see his cousin, he lied to Lucy and said that his cousin was not female (he was meeting Yuuka for a fair). When Lucy follows him and discovers the deception, she feels betrayed which leads her to kill his sister and father in front of her (due to the traumatic experience, this becomes a repressed memory so when he meets Lucy/Nyu, he does not recognise her (as a child, he saw Lucy’s horns).

Once one knows her past, it can be interpreted that Nyu is not just a split personality but could be what Lucy could be if she had not become a killer. Nyu could be the manifestation of her “good side”. While Nyu exists due to head trauma, it is believed (and confirmed by Lucy in the manga) that Lucy encourages Nyu to appear due to her guilt towards Kohta and to prevent herself from harming him.

Her friendship/relationship with Kohta is important in her past and her present. By the end, she shows her true side and we see a side of Lucy that could have been if they had remained friends for she is guilty of killing his family. For the first time, we see Lucy being completely honest, her cold barrier broken. She admits to Nana that she feels she cannot do what Nana can do and that is love. To Kohta, she believes that their few days together as a child were the happiest she has known in what she describes as a hellish life. Despite the murders she has done, we the audience are not supposed to sympathise and want her to live but when one learns her past, one can only feel pity and we want her to live and succeed and have happiness with Kohta and the others. Despite what she did, she had transformed from a villain into a princess that needs to be rescued and maybe Kohta could be the one to do that, even though he admits he cannot forgive her for killing his family.


The ending is also important. In the anime, during the final battle, she loses one horn via an attack from Mariko’s vectors and after Mariko is defeated, she says her farewells to Kohta and the last we see of her is her second horn being blasted off and the next day, Kohta and the others see a shadowy figure by the house gate waiting for entrance and we can imply it is Lucy. In the manga, the third personality has taken over and kills numerous guards and intends to take as many people down with her, including Kohta. Due to the intervention of Lucy and Nyu's consciousnesses, Kohta and the others remain barely unscathed, as Lucy reminds Kohta of the promise he made to kill her if she ever killed a lot of people. Kohta grabs a gun from one of the dead soldiers but backs down at the last moment, unwilling to kill them. However, the third personality, possibly moved by Kohta's actions, ceases all attacks with a lone vector picking up the gun for Kohta to shoot her, which he finally does. Moved by Kohta's actions, she ceases all attacks with a lone vector picking up the gun for Kohta to shoot her, which he finally does.



The voices behind the character

It is hard for me to decipher which one is the more superior for they are both brilliant as Lucy/Nyu. They both sound very similar as Nyu; very high-pitched and child-like. Both with both of them, their strength come from how they make Lucy sound. You would not think that the same actress was voicing both characters. They are both equally cold in the beginning although Kobayashi is softer in her voice than Vincent Davis is (the latter is particularly chilling as Lucy).

Towards the end, although they are both, they are both softer in their voice, implying sadness. However, Kobayashi sounds sadder and is stronger with the emotion than Vincent Davis is.

Monday, 30 November 2009

Honorary Villain: Rumi Hidaka


Film: Perfect Blue (English title)
Pāfekuto Burū (Japanese title)


Voices: Rica Matsumoto (Japanese)
Wendee Lee (English)


The Character

The character, Rumi is probably as mysterious as Me-Mania but in many ways, she is much more. Me-Mania does come across as the villain at first. After all, he is obsessed with Mima but when you come to the end, you realise that he has been used as a pawn for a much higher power and it is her who is the main villain. Of course, how many of us were shocked when we discovered that the main villain, the one posting the TRAITOR fax, killing Mima's fish, sending the bombed letter and killing the photographer and agent was Rumi? This was kinda of a let down, more to the fact that Mima is showing symptoms of DID and in the end, it is Rumi who is suffering from the disorder.

I'm getting a bit ahead of myself here. I'll start at the beginning. Rumi is Mima's agent but she is more than that. She communicates more with Rumi more than her own mother and in a way Rumi is a mother figure. She is against Mima's choices to be an actress, especially when she has to do a rape scene but as it is Mima's choice, Rumi is powerless and can only give advice.

We learn that Rumi was once a pop star, just like Mima and you have to wonder if Rumi's main concern is to protect Mima and have a long-standing career, something that Rumi may have desired but never got the chance to. She could be compared to a mother who is pushing her child to live her dreams. The concern comes in as she watches Mima act out the rape scene; she cries and flees and it is at this point, we can speculate that she went to Mima's room and killed her fish.

It could be this longing to be like Mima that the DID developed and that she thought she was Mima. Not just Mima; the real Mima and she sees Mima as the fake Mima out to destroy the real Mima. Of course, instead of getting her hands dirty, she gets Me-Mania to do some of the dirty work. In the climax, as we see Rumi as Mima, we see the floating Mima in real life and Rumi only in mirror reflections. This is significant for this signifies that the Mima persona of Rumi has surfaced and Rumi has been pushed into the background. It should be noted that some of the symptoms of DID include blackouts so it could be that Rumi is unaware of her Mima persona which would make her just a victim of her own mind as Me-Mania and Mima are.


The voices behind the character



Wendee Lee is pretty good as Rumi. She’s really convincing as Rumi and she makes the twist so much more fun and heightens up the theory that Rumi has no idea that she has problems and is actually the one trying to hurt Mima. She gives off the impression of Rumi as a concerned mother rather than a pushy agent. And the fact that she makes Rumi sound almost robotic in the climax works in her favour for we know then that Rumi isn’t conscious of what she is doing.

Rica Matsumoto is softer in her tones than Lee is. She is less abrasive and angry in her confrontations although the assertive is still there. In the final climax, she is less robotic than Lee but is more girlish almost matching Junko Iwao’s Mima perfectly.

Tuesday, 22 September 2009

Honorary Villain: Me-Mania

Film: Perfect Blue (English)
Pāfekuto Burū (Japanese)

Voices: Bob Marx (English)
Masaaki Ōkura (Japanese)



The Character

The weird thing about this character is he is the character that we the viewer can rely on to be what he is. I'm telling you, Perfect Blue is literally the most complex anime I have ever seen. What starts off as a simple thriller delves into a psychological nightmare, mainly thanks to the director's heavy of jump cuts, fantastical elements and the foreshadow or revisiting of numerous plot points. In fact, this is my favourite non-Ghibli anime and I have seen it so many times I know it off by heart. And yet, I still get confused and the two main characters, Mima and Rumi are so unpredictable because due to the heavy theme of Dissociative Identity Disorder, it is hard to tell who is doing what when it comes to them two.

In comparison, Me-Mania is a pretty straightforward character and somewhat typical. Basically, he is a stalker. Not just any stalker; he is a hardcore fan of Mima (the main protagonist and singer of the J-Pop band Cham). He is the typical stalker. When he is not watching her at places where she is filming Double Bind or filming/attending Cham gigs, following her whenever she is going out, he is at his computer, looking at the website, "Mima's Room" which he believes was created by the real Mima.

His first shot shows him not to be necessarily a bad guy. From the start at Mima's final gig with Cham, he is watching intently and when some delinquents disturb the show, he gets in there and takes a small beating simply because they disturbed Mima's performance. And despite gaining a bloody nose from the experience, he smiles at Mima, perhaps in an attempt to gain her attention. This shows him to be a loving if slightly obsessive fan but not dangerous.



This is how we see him through the most of the film, just a simple obsessive fan. In the film, we do see him and the way that he lives. His floor is cluttered with numerous magazines featuring Mima and he has pictures of her all over his wall, especially pictures of her posing nude.


This scene is very significant as we learn just how delusional, naive and how easily he can be manipulated. He receives emails from who he believes is from Mima, stating that the Mima who is now a TV star is not the real Mima but rather an imposter and should be rid of. The fact that Me-Mania vows to protect Mima by getting rid of who he is led to believe is the "imposter" Mima (who is in fact the real Mima) shows that he has a caring side and is being manipulated. In that respect, you got to feel sorry for him. However, the fact that he imagines Mima beside him, even hugging him shows just how delusional he is.

Of course, we do not know how far he goes to protect his Mima until his final scene where he attacks the real Mima (on the same set where she filmed her rape for Double Bind). It is therefore ironic that while he tries to kill her, he also tries to rape her. This is significant for him for this is the only scene where we actually hear him speak. He confesses to killing the screewriter and photographer who he was led to believe tarnished Mima's good name and he is about to kill the real Mima believing her to be the fake Mima who tarnished Mima's good clean image. It is here we learn that he has been a scapegoat for a higher power as it were and he was willing to go along with it for the love of Mima. Sadly it is his devotion that would lead to his downfall.

The voice behind the character

I'm sorry but Masaaki Ōkura is way more superior to the role than Bob Marx. Ōkura sounds determined as if he knows what he's doing which adds to his delusional state. He sounds as if he is angry with Mima in his final scene. Marx sounds like he is not taking the role seriously. He is exaggerating his crazy tone to make Me-Mania sounds like more like a crazy cartoon character and you really cannot take him seriously. The scary thing about Me-Mania is that he truly believes everything he is told and like he believes that the real Mima is an imposter. That's all I can say: Ōkura rocks!!! As for Bob Marx, he could have done better. With the way he makes Me-Mania, why didn't they just get Bobcat Goldwaithe to play him?